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This book represents a significant contribution to academic knowledge, making a compelling case for a contemporary analytical re-reading of a number of "core" postcolonial women's narratives, such as Erna Brodber's Jane and Louisa Will Soon Come Home, Buchi Emecheta's The Joys of Motherhood, and Mariama Ba's So Long a Letter. These narratives highlight diversity, contextuality, opposition, and metachrony, have a "generative literary function", and anticipate what have now become postcolonial feminist issues and debates. Bringing together feminist writing from a range of postcolonial contexts, the book contributes to a field represented by the critical writings of Francoise Lionnet, Ketu Katrak, and Elleke Boehmer, among others. The deconstructive, cultural approach of the book is mobilised to support an in-depth literary analysis which focuses on female oppression, difference, voice, and agency. Questions of what it means to be "a woman" and to be "postcolonial" are read as central debates which emphasise "multi-vocal and multi-focal" female narratives and perspectives. That is, they highlight the temporal, as well as cross-cultural links and implications of the selected narratives, which give the project a kind of positive complexity and linkage. Above all, the analysis of several unconventional modes and (physical/imaginative) spaces of female resistance, such as prison, widow confinement, and madness, yields some surprising results that are sustained by a close reading of the texts which are not only attentive to questions of genre, structure, imagery and narrative endings, but also oppositional, instructive and reconstructive.
- Sales Rank: #9786646 in Books
- Published on: 2014-07-01
- Format: Unabridged
- Original language: English
- Number of items: 1
- Dimensions: 8.10" h x 1.20" w x 5.80" l, .0 pounds
- Binding: Hardcover
- 232 pages
Review
"This is an ambitious and innovative piece of scholarship which takes a number of core feminist fictional writings from a range of early postcolonial contexts and subjects them to a series of critical re-readings which demonstrate diversity and metachrony. These readings have a generative function and, it is argued, anticipate in their complex representation of women in subordinated positions in the developing world later postcolonial feminist paradigms. [...] Given that many of the themes of the book constitute the living reality for some women in a number of societies, this work represents a timely intervention, not just at the level of literary scholarship and cultural analysis, but also as part of an understanding of the politics of gender discrimination and oppression and as a resource for the development of agency and resistance. As such, it deserves to be widely read and should have an essential place on the curriculum of every university." --Roger Bromley, University of Nottingham
About the Author
Dr Kinana Hamam is a researcher in postcolonial studies and English literature, with a focus on postcolonial women's writing. Dr Hamam holds a PhD in Critical Theory (2013) and an MA in Critical Theory and Cultural Studies (2008), both awarded by the University of Nottingham. Hamam has also been an accredited bilingual translator/interpreter of English-Arabic since 2008, and has worked as a full-time Lecturer of English Language and Literature in Syria since 2004. Her research interests include postcolonial cultural studies, especially postcolonial women's writing which foregrounds a metachronous discourse of literary-spatial mapping and transformation; the study of female subalternity and difference in relation to deconstruction and contextuality; and the intersectionality of gender identity, voice, and language in postcolonial (con)texts.
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