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It begins in the year 1900, with the scream of a newborn. It ends, 100 pages later, in the year 2000, with the death-rattle of a 100-year-old man. The infant and the old man are both Julio, and Gilbert Hernandez's Julio's Day (originally serialized in Love and Rockets Vol. II but never completed until now) is his latest graphic novel, a masterpiece of elliptical, emotional storytelling that traces one life -- indeed, one century in a human life -- through a series of carefully crafted, consistently surprising and enthralling vignettes. There is hope and joy, there is bullying and grief, there is war (so much war -- this is after all the 20th century), there is love, there is heartbreak. This is very much a singular, standalone story that will help cement Hernandez's position as one of the strongest and most original cartoonists of this, or any other, century. Introduction by novelist Brian Evenson.
"A haunting performance and about as perfect a literary work as I've read in years. Hernandez accomplishes in 100 pages what most novelists only dream of -- rendering the closeted, phlegmatic Julio in all his confounding complexity and in the process creating an unflinching biography of a community, a country and a century. A masterpiece." -- Junot D�az
- Sales Rank: #1146396 in eBooks
- Released on: 2013-04-03
- Format: Kindle eBook
From Booklist
Because day in it means a lifetime (like what we mean by saying, in Grandma’s day), the title of this spare graphic novel denotes an entire century. Julio Reyes is born in 1900 and dies in the same bed in 2000. We see him as infant, toddler, first-grader, bigger boy, and young, middle-aged, old, and finally, very old man. He far outlives his feisty sister and handsome-brat brother. He never marries, and his closest relationships are with other males, though when sex apparently impinges on one of them, he abandons it. Moreover, he can’t stomach his great, great nephew’s homosexuality. For lengthy stretches of his story, he’s unspeaking, in the background, nowhere around as we watch the more dramatic lives of friends and family flare in bizarre illness and death, in madness and violence, and in love, at home more than in the wars and wanderings they are called to. All along, he lives with his mother, the still center of a century-long family storm that Hernandez’s mastery of comics somehow makes somberly beautiful. --Ray Olson
Review
“"A haunting performance and about as perfect a literary work as I’ve read in years. Hernandez accomplishes in 100 pages what most novelists only dream of―rendering the closeted phlegmatic Julio in all his confounding complexity and in the process creating an unflinching biography of a community, a country and a century. A masterpiece."” (Junot D�az)
About the Author
Gilbert Hernandez lives in Las Vegas, NV, with his wife and daughter. He is co-creator of the long-running, award-winning, and critically acclaimed series Love and Rockets. His books include Chance in Hell, The Troublemakers, Luba, Palomar, Speak of the Devil, Sloth, The High Soft Lisp, Love from the Shadows, Girl Crazy, Yeah!, and many books in the Love and Rockets series.
Most helpful customer reviews
9 of 10 people found the following review helpful.
Magnificent
By Mad Dog
Gilbert Hernandez is probably best know as the clumsy half of the "Love and Rockets" series. I say clumsy because, while his work frequently touches greatness, it is often stumbles around in incoherence, random acts of terrible violence, and sexual imagery that verges on offensive. While Jaime's stories are clean and precise (like his line work), Gilbert's often stumble about looking for a theme, or (if they have a theme) a way of delivering it. Gilbert is obviously the "difficult" child.
And I buy them all anyway, because even a second-rate Gilbert is better than almost everyone else in the field.
Because it's the gems like "Julio's Day" that make it worthwhile.
This is probably his best work since the "Palomar" series. Encompassing the 100 year life of Julio (in a 100 pages) it is an astonishing series of vignettes that are often funny, and frequently heartbreaking. All the stylistic an aesthetic nuances that annoy me in his other work are still here - but in "Julio's Day" they work perfectly. It's as if the last ten years of Gilbert's work (and a substantial and very respectable body of work it is) have suddenly paid of in this wonderful example of diamond-hard truth.
I've read everything he's done twice, but this is one I will be reading over and over.
3 of 3 people found the following review helpful.
Julio's Day by Carol Holland March
By Carol Holland March
Julio's Day is a lovely, poignant portrayal of a Hispanic community in the Southwest through the eyes of Julio whom we meet on the day of his birth in 1900. The first panel is the wide open mouth of a baby newly born. Each page of the graphic novel is a year in Julio's life, and through him we experience not only his own life and that of his family, but also the major historical and cultural events of the 20th century. Funny, sad, warm, and difficult, we experience the relationships that Julio has and doesn't have. As a closeted male, he lives with his mother all his life and chooses not to explore potential relationships.
Illness, war, child abuse, death and sorrow fill these pages, but overall the feeling that comes through is the optimism that comes from the ongoing relationships of family and friends. As Julio ages, he watched the world change with cultural upheaval of the sixties and the war in Vietnam. Family members go to the city and interact with people of different cultural backgrounds. When his sister's grandson, Julio Juan, lives the life in the city that Julio could not have, he is not sympathetic, and his namesake explains to his lover that Julio, nearly 100 years old, still lives in the house where he was born. The book ends as it began, with Julio in bed, a wide open mouth of a man at the end of his life.
I found this book rich and satisfying, and more moving that I would have suspected a graphic novel could be. I recommend it highly.
3 of 3 people found the following review helpful.
Comics at their finest
By Sam Quixote
Gilbert Hernandez’s latest comic, Julio’s Day, tells the story of Julio, a Mexican gay man born in 1900 and who dies in 2000, and takes the format of telling the 100 year life of Julio in 100 pages. The book follows the lives of Julio and his family, and his friends and acquaintances that make up the small town they live in and how their lives change over the course of growing up alongside the major events of the 20th century. It’s a deep, complex, and absolutely captivating story filled with the horrors of life amidst its many joys, and deals with things like war, disability, sexual attitudes, child abuse, love, innocence lost, family, ambition unrealised, dreams and nightmares, life and death.
Hernandez has been creating comics for decades now with the end result being that he is an incredibly accomplished comics storyteller. Eschewing narrative boxes, Hernandez tells his 100 year story without once naming any of its locations or times. Occasionally a character will mention an event that will place the scene in historical context like World War 1, or the Wall Street Crash, or Vietnam, but it’s up to the reader to judge for themselves the times certain scenes take place by looking at the characters’ appearances as they age.
Hernandez doesn’t use exposition and never uses excess speech – it’s a lean script with perfectly placed dialogue. He knows when to let the art speak for the scene and when to accentuate it with conversation. Reading this book is like watching a master-class in how to tell a comics story. Bear in mind he’s not doing anything innovative, he’s using black and white panels in a grid layout to tell his tale like so many comics before, he just happens to do it so well that it feels fresh, vivid and new.
He also incorporates dream sequences and hallucinations into the real story with no warning or signposting. All at once we go from a childhood scene to a nightmarish sequence that may or may not be real to another scene which is definitely dream-like to a hallucination from the perspective of a character who’s losing their mind. It sounds difficult to follow, but it honestly isn’t, and Hernandez’s totally unobtrusive narrative approach leaves all kinds of interpretations open to the reader over what’s symbolic, what’s real, and what it all means.
If this surreal style and hands-off approach, coupled with the 100 years/100 pages format, make it seem like this book is going to be arty and pretentious, I assure you it isn’t. It’s simply the best way to tell this kind of story that’s subtle, clever and enthralling to read. It’ll be confusing but you can absolutely read this book for the story and still enjoy it immensely, but Hernandez is doing more here than spin a good yarn and readers who look for more substantial reads will find Julio’s Day very rewarding.
Julio’s Day is a rich, character-driven, family saga full of memorable characters and scenes that’ll haunt your memory long after you put the book down. In some ways it’s a discussion of the changing, and unchanging, sexual mores of the 20th century; in some ways it’s a deeply intimate portrait of a lonely man always surrounded by people; and in other ways it’s an exploration of the most relevant and poignant themes of literature. If John Steinbeck were creating comics, he would write something like Julio’s Day, the book feels so much like his novels Tortilla Flat, Cannery Row and Of Mice and Men. I could talk about my favourite scenes and characters but I feel like discovering them yourselves, in this instance especially, really adds to the impact of the story – it’s so unpredictable and surprising in the best possible ways that you’ll never guess where it’s headed and never put the book down for an instant as you find out what happens next.
I’ve enjoyed many of Hernandez’s comics over the years from his work with his brother Jaime on their ground-breaking Love and Rockets series to his own projects like the surreal and entertaining stories of Sloth and Speak of the Devil - Julio’s Day is my favourite thing he’s done. Brutal, beautiful, subtle, stark, compulsively readable, and put together like a true work of art by an artist at the height of his powers, Julio’s Day is one of the best comics of the year and a masterpiece of sequential art.
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