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A tautly paced investigation of one the 20th century's most audacious art frauds, which generated hundreds of forgeries-many of them still hanging in prominent museums and private collections today
Provenance is the extraordinary narrative of one of the most far-reaching and elaborate deceptions in art history. Investigative reporters Laney Salisbury and Aly Sujo brilliantly recount the tale of a great con man and unforgettable villain, John Drewe, and his sometimes unwitting accomplices.
Chief among those was the struggling artist John Myatt, a vulnerable single father who was manipulated by Drewe into becoming a prolific art forger. Once Myatt had painted the pieces, the real fraud began. Drewe managed to infiltrate the archives of the upper echelons of the British art world in order to fake the provenance of Myatt's forged pieces, hoping to irrevocably legitimize the fakes while effectively rewriting art history.
The story stretches from London to Paris to New York, from tony Manhattan art galleries to the esteemed Giacometti and Dubuffet associations, to the archives at the Tate Gallery. This enormous swindle resulted in the introduction of at least two hundred forged paintings, some of them breathtakingly good and most of them selling for hundreds of thousands of dollars. Many of these fakes are still out in the world, considered genuine and hung prominently in private houses, large galleries, and prestigious museums. And the sacred archives, undermined by John Drewe, remain tainted to this day.
Provenance reads like a well-plotted thriller, filled with unforgettable characters and told at a breakneck pace. But this is most certainly not fiction; Provenance is the meticulously researched and captivating account of one of the greatest cons in the history of art forgery.
- Sales Rank: #133442 in eBooks
- Published on: 2009-07-09
- Released on: 2009-07-09
- Format: Kindle eBook
From Publishers Weekly
Starred Review. A decade-long art scam that sullied the integrity of museum archives and experts alike is elegantly recounted by husband-and-wife journalists Salisbury and Sujo. In 1986, when struggling painter and single father John Myatt advertised copies of famous paintings, he never imagined he'd become a key player in one of Britain's biggest art frauds. Myatt soon met John Drewe, who claimed to be a physicist and avid art collector. Soon Drewe, a silver-tongued con man, was passing off Myatt's work as genuine, including paintings in the style of artists like Giacometti and Ben Nicholson. When buyers expressed concern about the works' provenance, Drewe began the painstaking process of falsifying records of ownership. Posing as a benefactor, Drewe even planted false documents in the archives of London's Tate Gallery, but suspicious historians and archivists eventually assisted Scotland Yard in bringing him to justice. Salisbury and Sujo (who died in 2008) evoke with flair the plush art world and its penetration by the seductive Drewe as well as the other players in this fascinating art drama. (July 13)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
About the Author
Laney Salisbury and Aly Sujo are a husband-and- wife team of investigative reporters. Salisbury is a graduate of the Columbia School of Journalism and has worked for Reuters and the Associated Press. She is the coauthor of the critically acclaimed The Cruelest Miles: The Heroic Story of Dogs and Men in a Race Against an Epidemic, which was translated into eleven languages. Sujo grew up in the art world and has been a journalist for the past twenty years, covering arts and entertainment for Reuters, the Associated Press, and The New York Daily News.
From The Washington Post
From The Washington Post's Book World/washingtonpost.com Reviewed by Steven Levingston If you've ever been had by a con man, as I once was at a cash machine in Salem, Mass., you know the odd aftermath of emotion. First, you're befuddled, then enraged and finally consumed by visions of revenge. But there's another sentiment that can sneak up on you. I was reminded of it while reading Laney Salisbury and Aly Sujo's well-crafted tale of British con artist John Drewe. I'd expected to despise the psychopath at the center of what Scotland Yard called the biggest art fraud of the 20th century. But somehow, from the first page, he got me to drop my guard. Drewe, for all his odious ambitions, is ingenious, persuasive, even brilliant. As I was pulled deeper into his deceptions, I couldn't help admiring this creep. Likewise, I understood how I came away from that cash machine years ago envious of a guy who could put together a wildly complicated fiction that was credible enough to squeeze $20 out of me. In "Provenance," Salisbury and Sujo untangle Drewe's elaborate scheme that put more than 200 counterfeit works on the market between 1986 and 1995. What's fascinating about his story is his inventiveness in faking the paintings' provenances. Drewe ginned up receipts for prior purchases; he created catalogs for exhibitions that never took place; he even fabricated records for restoration work that the supposedly decades-old paintings had required over the years. In a master stroke, he smooth-talked his way into the archives of the Tate Gallery, where he inserted some of his phony documents into the files. Experts rummaging about in the archives to certify a work's authenticity would find much to lead them astray. Drewe could have accomplished none of this without a skilled forger. He found the perfect dupe in John Myatt, a down-on-his-luck artist living alone with his two small kids in a rundown farmhouse in England. For at least �150 each, Myatt was turning out "genuine fakes" -- reproductions clearly sold as such -- of works by Monet, Turner and Matisse. His world changed when Dr. John Drewe phoned him. In an upper-class accent, Drewe told Myatt he was a lecturer in nuclear physics and a consultant to the ministry of defense. He would also claim to others to be a descendant of the earl of York, a historian of the Nazi era, an army lieutenant, a weapons expert and a hang glider. None of it was true. Yet blessed with a prodigious memory, Drewe was able to pose convincingly. Myatt began by painting several pieces for Drewe. One day, Drewe informed Myatt that a friend who worked for Christie's mistook as real a painting Myatt had done in the style of cubist Albert Gleizes. The Christie's expert predicted it could sell for at least �25,000 at auction. Then Drewe held up an envelope stuffed with bills, and Myatt realized the sale had already taken place. Drewe said Myatt's take would be half the auction price, a staggering amount of money that would cover shoes for his kids and end his worries about the rent. Desperate, Myatt crossed the line: He reached out and took the money. For nearly a decade, the pair faked work by artists such as Alberto Giacometti, Ben Nicholson, Georges Braque and Nicolas de Sta�l. The fraud was perpetuated by eager salesmen, greedy -- or misguided -- dealers, inattentive auction houses, unwitting art lovers and gullible archivists. It finally unraveled thanks in part to the keen eye and persistence of Mary Lisa Palmer, director of the Giacometti Association. Scotland Yard detectives went to work and brought Drewe and Myatt to trial. In court, Drewe sat impeccably dressed, popping chocolate bonbons into his mouth. For all its virtues, this book does contain a con of its own -- a kind perpetuated with avid persistence by the publishing industry. "Provenance" makes a strong case for the havoc wreaked by John Drewe and his shenanigans. But it falls far short of the sweeping promise of its subtitle: "How a Con Man and a Forger Rewrote the History of Modern Art." Enough with the fraudulent subtitles, please.
Copyright 2009, The Washington Post. All Rights Reserved.
Most helpful customer reviews
121 of 126 people found the following review helpful.
One surprising flaw
By Salenia
An expertly written, carefully researched and exciting story of the criminal mastermind John Drewe who meticuously created extensive faked provenance to support his sales of hundreds of modern paintings forged by his accomplice artist John Myatt. The single criticism I have is that, although this book has lengthy descriptions of numerous faked Giacomettis, Nicholsons, Bissi�res and Sutherlands, there is not included a single photograph of any of the forgeries or of any genuine works to compare them with, nor are there any photographs of the forged provenance documents. And, although Drewe and Myatt's appearances are described in great detail, not a single photograph of either is included. Anyone reading this book would want, and expect, to see exactly what these paintings looked like and exactly how closely they resemble the genuine ones. The verbal descriptions are excellent, but they are no substitute for photographs. It is inexplicable why none are included. Fortunately, a Google Image search for "John Drewe" or "John Myatt" provides a number of examples of the faked paintings, as well as photographs of Drewe and Myatt (Myatt looks more distinguished to me, and Drewe less, than suggested by the book) and even some of the faked documents supporting the forgeries.
40 of 41 people found the following review helpful.
Thrilling read, I couldn't put it down!
By Kiki
I picked this book up because I enjoy reading non-fiction and know little about the art world-- and my knowledge of "provenance" is limited to the explanations given on antiques roadshow. After reading the editorial review on how well researched the book is, I expected this to be a weighty, but rewarding read. But after the first few pages I was surprised how hooked I was-- the story is utterly compelling, a real page turner. I love how the authors described the characters, not only through the documents they consulted and interviews they conducted, but also through a fascinating pyschological analysis on what may have driven their behavior. The book also provided a glimpse of how galleries, dealers, collectors and museums really operate-- I was surprised at the behavior of the "experts" in the art world-- all of which was detailed in a matter fact manner that led the reader to draw their own conclusion. I started this book on Saturday, read it straight through Sat night and finished Sunday because I just had to know what happened next, it's that kind of book.
39 of 42 people found the following review helpful.
An exciting look at the darker side of the art world
By Deborah V
Provenance is a finely paced, tense look at the art world and one of the most massive art frauds perpetuated in recent history on reputable galleries and museums. The story runs from 1986 to 1995 and spans several countries. It reads with the flavor of a mystery and recounts how con man John Drewe's efforts resulted in over 200 forged paintings--some of which evidently are still hanging!
Salisbury and Sujo have meticulously researched their subject and the book is like a fast paced thriller as we watch John Drewe manipulate and draw into the hoax, a struggling artist and parent to become a master forger. And then we follow Drewe as he cons galleries into accepting the works as genuine with an authentic provenance. One of the most fascinating aspects of the story is how Drewe faked the provenances from fabricating restoration records and receipts to manufacturing fake catalogues for art shows that never took place!
This intricate story is truly an interesting look at the world of art and forgery and provenance!
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